Between the events of 'Saw' and 'Saw II', a sick and desperate John Kramer travels to Mexico for a risky and experimental medical procedure in hopes of a miracle cure for his cancer, only to discover the entire operation is a scam to defraud the most vulnerable. Armed with a newfound purpose, the infamous serial killer returns to his work, turning the tables on the con artists in his signature visceral way through devious, deranged, and ingenious traps.

Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.

The chilling and relentless Jigsaw killer returns to terrorize the city once again. When a gruesome murder victim emerges with unmistakable traces of Jigsaw's sinister methods, Detective Eric Matthews is thrust into a high-stakes investigation. To his surprise, apprehending Jigsaw seems almost too easy, but what he doesn't realize is that being caught is merely another piece of Jigsaw's intricate puzzle.

Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detectives scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.

Special Agent Strahm is dead, and Detective Hoffman has emerged as the unchallenged successor to Jigsaw's legacy. However, when the FBI draws closer to Hoffman, he is forced to set a game into motion, and Jigsaw's grand scheme is finally understood.

Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.

During a night of 1989, in the middle of the Salvadoran civil war, six Jesuit priests were murdered at the UCA University. The news has an immediate international repercussion since their contribution was key in the foreseeable peace agreement after a decade of bloody war. Who killed them? The government immediately blamed the guerrillas but an eyewitness debunked the official version. Her name is Lucía and she works as a cleaning employee at the UCA. She has seen who were the real killers: the army. Now she will have to choose between testifying for the truth or protecting her family.

During a night of 1989, in the middle of the Salvadoran civil war, six Jesuit priests were murdered at the UCA University. The news has an immediate international repercussion since their contribution was key in the foreseeable peace agreement after a decade of bloody war. Who killed them? The government immediately blamed the guerrillas but an eyewitness debunked the official version. Her name is Lucía and she works as a cleaning employee at the UCA. She has seen who were the real killers: the army. Now she will have to choose between testifying for the truth or protecting her family.

Sawagura Nobuko is back housekeeping again in this sequel to the 2014 SP! This time around Nobuko, having been given some pearl earrings as a present sometime before, decides to attend an exhibition for a pearl described as being the world's most expensive one. That pearl is owned by the Iwakura family, who run a large pearl company. While looking at the pearl however, Nobuko is pulled away by a handsome man who seems to have some connection to the family. So when Nobuko finds one of her pearl earrings missing and probably taken by that man, she decides to work as a housekeeper for the Iwakura family until the man shows up again and she can get her earring back. But the Iwakura family that Nobuko is now working for has plenty of secrets beyond just pearls that she'll have to sort out if she wants her earring back...

A wonderful documentary that sheds additional light on the fascinating project ‘Inferno’ was, as well as how those who were involved with it reacted to it during the shooting process. A riveting adjunct to the main feature, offering a glut of interviews with various people associated with the production, and presenting quite a bit more production data, as well as some unseen footage from Clouzot's shoot.